Sort by release date
Your Search For Indie Pre-orders
Found 2,445 results
FACS
Void Moments
Chicago trio FACS have evolved very quickly in the span of their three year existence. “Void Moments” is their third & latest offering; a-dark & claustrophobic album with rivulets of seismic beauty peeking through the din.
Formed in the wake of the dissolution of Disappears, guitarist Brian Case & drummer Noah Leger’s project is the logical continuation of the trails blazed in their former outfit.
Since their 2017 debut “Negative Houses”, the band have reworked, retooled & reshaped their sound, and with the addition of bassist Alianna Kalaba on 2018’s “Lifelike”, their evolution has coalesced into something distinct. Gone is the bone-rattling minimalism of “Negative Houses”; “Void Moments” offers an abstraction of the melodic elements that crept into “Lifelike” and contorts them toward a new horizon.
Where “Lifelike” rang with a metallic, near-industrial racket, “Void Moments” cloaks the music behind a black velvet curtain of sonance, obfuscating the band’s most direct set of songs to date.-“Boy” kicks o with a lurch of vocals and Case’s sinewy guitar-line guiding a stoic march. By the time Kalaba drops in with the bass, the track morphs into a milky swirl, leading into the chiming swirl of “Teenage Hive’s buzzing churn.
“Casual Indifference” expertly fuses the band’s rhythmic pulse with a sombre dissolve of guitars, vocals and backwards-masked drums. “Version” closes out side one with lush surges of Case’s shoegaze’d guitar & voice weaving around the rhythm section. Side two careens in with Leger’s cavernous drums, with Kalaba and Case riding alongside.
The album’s final two tracks “Lifelike” and “Dub Over” cascade into one another, becoming one & act as a perfect analogy to “Void Moments” mutability, both musically & lyrically. Despite its foggy presence, “Void Moments” still careens toward the light.
By embracing fluidity, FACS continue to evolve & refuse to be ensnared by genre. “Void Moments” ruminates on humanity’s increasing refusal of identity, not only by our increasing reliance on technology, but also within our society’s challenging of societal & gender norms. “Void Moments” feels one step closer to oblivion, but its sounds are a welcome salve.
Trouble In Mind
CD | LP
Pre-Order
Ellis
Born Again
The highly anticipated debut full length album from Ellis, fusing up dream-pop and charming singer-songwriter sounds. If you're into the likes of Phoebe Bridgers, slowdive or Alvvays then check this out.
The full-length debut from Ellis, Born Again takes place in spaces both intimate and vast, ordinary and near-mythic: warm beds and lonely church pews, restless cities and desolate forests and the furthest reaches of the cosmos. Produced by Jake Aron (Snail Mail, Solange, Grizzly Bear) and recorded partly at Aron’s Brooklyn studio, Born Again arrives as the follow- up to Ellis’s debut EP The Fuzz—a self-released, self-produced effort that promptly led to a deal with Fat Possum Records.
In a departure from the viscerally charged dream-pop of The Fuzz, Born Again unfolds with a mesmerizing subtlety, gracefully spotlighting Ellis’s unhurried melodies, starkly confessional lyrics, and the luminous vocal work she’s shown in opening for artists like Soccer Mommy and Alvvays.
Fat Possum
CD | LP
Pre-Order
Levellers
Peace
Indies exclusive LP is on 'splatter' coloured vinyl and includes a bonus 7".
Peace: a word that’s both direct and loaded with meaning. On the surface, it suggests tranquility, = evenness, a state of bliss already achieved. But the word that gives the Levellers’ 11th studio album its title is open to a multitude of interpretations, too. It could be a reference to a disappearing value. It could be a sneering statement of irony. It could be a cry for calm in a crazed world. It could mean whatever you want it to mean.
Peace is the most relevant album of 2020. Its 11 electrifying songs are a charged reaction to a world that seems to be teetering on the edge of madness and self-destruction. The environment is buckling under the weight of humanity’s disregard, right-wing demagogues are spreading hatred and fear across supposedly civilised nations, society and culture is trapped in a death spiral that’s playing out in real time across social media.
It’s been a long journey to get here. Peace arrives almost eight years since the Brighton band’s last album of original material, 2012’s Static On The Airwaves. Produced at the band’s own Metway Studios by longtime collaborator Sean Lakeman, Peace possesses the clarity and directness of early Levellers classics such as their 1990 debut album A Weapon Called The Word and its landmark follow- up, Levelling The Land.
The Levellers have always been outsiders, even during that brief period when they found themselves in the mainstream spotlight in the 1990s. The margins are where they belong, and it’s where they’re happiest. But being outsiders doesn’t mean irrelevance. In the 30 years since they announced themselves with A Weapon Called The Word, the Levellers have created their own self-sufficient world, one that includes everything from their studio to their own festival. The fire that fuelled them 30 years ago is far from being extinguished. With Peace, that fire burns brighter than ever.
On The Fiddle
7" | CD | LP
Pre-Order
Load more results
