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Ikebe Shakedown
Kings Left Behind
Ten years ago, Ikebe Shakedown began pushing the boundaries of instrumental music. Each new track and live set has sent them deeper into combining the primal elements of ’70s soul, raw psychedelic style, and cinematic Western soundtracks with powerful grooves and soaring melodies. Now, with their new release, Kings Left Behind (Colemine Records), the band is giving listeners more mystery and majesty than ever before. The album features the entire group collaborating to produce tracks that deliver punches right to the gut, even as dreamy guitars and lush horn melodies and string arrangements capture the imagination.
The album was recorded by Ikebe's bassist, Vince Chiarito, at Hive Mind Recording. Opened with Ikebe's saxophonist, Mike Buckley, and another collaborator in 2017, Hive Mind has become a home base for the band, leading to more experimentation with the textures and sounds of a genre they define as Instrumental Soul.
LP is packaged in high quality Stoughton Tip-On gatefold jacket, LP stored in Gotta Groove anti-static innsersleeve, and includes a download card. Pressed at Gotta Groove Records in Cleveland, OH.
Colemine Records
CD | LP
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Ash Walker
Aquamarine
A heavyweight astral shower of rhythm and vibes, Ash Walker’s third album ‘Aquamarine’ is set for release on 19th July via Night Time Stories.
Ash’s production output is similarly exploratory: his journeys have taken him far and wide, from tunnels under the river Thames to recording local percussionists in the Atlas mountains of Morocco. Inspired by a deep dive of sounds from artists including Duke Ellington, Quincy Jones, King Tubby, Bo Diddley, 4Hero, J Dilla, Pete Rock, Curtis Mayfield, Philip Glass, and Steve Reich; his first two albums, ‘Augmented 7th’ (2015) and ‘Echo Chamber’ (2016) gained attention from the likes of BBC 6 Music DJs Gilles Peterson, Don Letts, Gideon Coe and Clash Maga- zine, XLR8R and MIMS.
Aquamarine’ is a projection and culmination of all he’s ab- sorbed. A cosmic explosion of sound and colour, rhythm, shape and patterns. The arrival of an unassuming dreamer now projecting his unique flavour of expression. ‘Aqua- marine’ is the take-off of this audial spaceship, a sound discovered in the grooves of thousands of records, united in one. A meditation designed to inspire good energy, Ash hopes to bring a sense of calm and tranquility to the listener amongst the chaos of life. Recorded at home with the freedom of time and space, it combines analogue with digital, and a fondness for normally unwanted shapes and textures such as fuzz, hiss and crackle.
“My previous albums have felt to me more like ventures on land. This one feels more like a deep sea voyage into the subconscious. Living to dream with visions of gran- deur. Manifesting a beautiful path to walk on. It was inspired by everything around me, from friends and family to art and design, engineering and architecture, move- ment and how we use our five senses. I love to try and push my own boundaries of what I perceive to be right and wrong, seeing mistakes as innovations, and obstacles as inspiration.”
Highlights on the album include ‘Under The Sun’, ‘Time’ and ‘Finishing Touch’, all of which feature the smooth and silky voice of Laville. Themes of metaphysical exploration and transportation re-occur in the cosmic jazz of ‘Brave New World’ and the smoked beats on ‘Come With Us’. Also featured across the album are trumpet and flugel- horn genius Yazz Ahmed, bassist Marc Cyril (Keziah Jones, Jr Walker & The All Stars) and renowned musician and producer Jonathan Shorten.
Having already graced the stages of some of the biggest UK festivals as well as as The Jazz Cafe and Rich Mix, The Ash Walker Experience is a formidable six piece live lineup. Ash has collaborated with Ezra Lloyd-Jackson to turn each performance into a vibrant, multi-sensory experience combining live reactive projections and carefully crafted frequency complimenting fragrances.
Night Time Stories
CD | LP
The 100 Knights Orchestra / The Family Daptone
Hey Brother (Do Unto Others) B/W Soul Fugue
It is with great pride that we celebrate this milestone with you. This, Daptone’s 100th 45rpm release, features an unprecedented collaboration of talent from our legendary roster of artists.
The A side, ‘Hey Brother’ is a song written by The FRIGHTNRS and originally performed on their acclaimed rock-steady LP, Nothing More to Say. In the wake of the tragic loss of their singer, DAN KLEIN to ALS just before the album’s release, we felt it to be a fitting tribute as well as an ideal composition to re-imagine as a soulful collaboration between all of our dynamic vocalists. Here we have SAUN & STARR, The FRIGHTNRS, JAMES HUNTER, NAOMI SHELTON, DUKE AMAYO, LEE FIELDS, and of course the late great monarchs of our family, CHARLES BRADLEY and SHARON JONES, all performing shoulder to shoulder on record for the first and only time, singing a message of righteousness and brotherhood over a groove sewn seamlessly together by members of The DAP-KINGS and MENAHAN STREET BAND.
On the flip, ‘Soul Fugue,’ is an epic battle between two massive orchestral armies composed and arranged obsessively by BOSCO MANN based on the Fibonacci series and the number 100. From the left speaker, a battalion made up of all of Daptone’s many brass players is lead by the great DAVE GUY on first trumpet to the beat of Dap-King legend HOMER STEINWEISS on drum set. From the right, all of our woodwind players charge into battle behind IAN HENDRICKSON-SMITH on lead alto saxophone with Dap-Kings stage drummer BRIAN WOLFE pounding the kit. Featuring current and past members of The DAP-KINGS, ANTIBALAS, The BUDOS BAND, MENAHAN STREET BAND, The EXTRAORDINAIRES, The SOUL PROVIDERS, and The DAKTARIS, The 100 KNIGHTS ORCHESTRA crammed into the studio on the rarest of days, Februar y 29th, 2016 to absolutely devour this gargantuan instrumental. What started as an ambitious thank you to you, our beloved fans, has now also become a loving tribute to the brothers and sister we've lost since it’s inception: Charles Bradley, Dan Klein, Cliff Driver, and our eternal Queen, Miss Sharon Jones. So, thank you, friends, for all the years you've help us to "Keep Putting Soul Up". May this disc forever live as a token of our gratitude, and keepsake of the times when our depar ted loved ones shared the stage with us.
Daptone
7"
XL MIDDLETON
2 Minutes Till Midnight
After making serious noise in the modern funk world, XL Middleton makes a return to the g-funk/hip hop sound that marked his earlier work with "2 Minutes Till Midnight." It’s a funked out, synth-heavy excursion with an equal amount of appeal for modern funksters or the underground legions of g-funk fans that put XL on the map originally. Those familiar with his most recent albums, “Tap Water” and “Things Are Happening,” will recognize the signature synth leads and intricate analog bass lines. Those unfamiliar with Middleton as an MC will find that he challenges standards in the worlds of both underground and mainstream rap, eschewing the backpack as much as the Bentley, falling into a space that few can. XL’s lyricism is cerebral and well-read, yet it’s clear that he comes from a part of the world that relishes khakis, Chuck Taylors & Zapp records.
"2 Minutes Till Midnight" stands firmly rooted in the funk tradition of Los Angeles, showing reverence for the music that inspired it by bringing g-funk legends Kokane & Domino ("Getto Jam") into the fold as guest artists and by featuring album artwork from Joe Cool, who designed the iconic "Doggystyle" album cover for Snoop Dogg. XL's contemporaries, such as labelmates Zackey Force Funk, Moniquea, & I, Ced, also join in and help to remind us that the album is not just a self-indulgent tribute to a bygone era of music. As modern funk grew largely out of hip hop, XL takes that growth backward, and moves the music forward as a result.
MOFUNK RECORDS
CD | LP
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