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Floating Points
Elaenia (10th Anniversary)
''Dinked Edition' is on 'oxblood' coloured vinyl. Includes an exclusive set of 7 x original 'harmonograph' postcards created by Floating Points, a Dinked Archive obi-strip and booklet. /700. For avoidance of doubt, the centre is a standard spindle size, and not dinked.It was the arrival of a Studer A80 master recorder at the front door of Sam Shepherd-otherwise known as Floating Points-that caused him to begin building the studio that led to the creation of his debut album, Elaenia. After a slight miscalculation meant that he could not physically get the thing inside his home, what happened next can only be described as a beautiful example of the butterfly effect. Breaking away from making electronic music on his laptop, the DJ, producer and composer spent the next five years engineering Elaenia, all the while deejaying in cities across the globe and working towards his PhD in neuroscience. An incredibly special album that draws inspiration from classical, jazz, electronic music, soul and even Brazilian popular music, Elaenia-named after the bird of the same name-is the epitome of the forward-thinking Floating Points vision in 2015.
Pluto Records
LP
Pre-Order
Bicep
CHROMA 000
CHROMA 000 is the culmination of 2 years of legendary dancefloor duo BICEP’s CHROMA project, a cross-disciplinary and evolving DJ/AV project with a unique visual identity, in collaboration with iconic designer David Rudnick (of Terrain studio) and longtime collaborator of BICEPLIVE shows, Zak Norman.Encompassing the phenomenal CHROMA A/V DJ shows and the CHROMA label, the project spawned a series of incredible underground focused tracks, exploring a wider array of genres “from Acid to Alkaline” inspiring BICEP in recent years. Featuring collaborations with artists such as Benjamin Damage, under their B.D.B moniker, Hammer, ELIZA and Kehina as well as the introduction of their DOVE moniker. Fan favourites of the CHROMA series include “CHROMA 002 L.A.V.A”, “CHROMA 008 TANGZ”, “CHROMA 001 HELIUM” and “CHROMA 010 BRILLO”
LP
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Ghost Dubs / The Bug
Implosion
''Dinked Edition' is on 'red/white/smash' coloured vinyl. Includes an exclusive bonus black 12" vinyl with 4-tracks. /500. For avoidance of doubt, the centre is a standard spindle size, and not dinked.When Chuck D proclaimed "Bass, how low can you go?" on Public Enemy's anthemic 'Bring the Noise,' maybe he was pre-empting or inciting the 10,000 fathoms-deep, spine-bending basslines and sub-quake tremors of 'Implosion.'Implosion is a crushing split album, appropriately released on The Bug's own PRESSURE label. Mapping out a new form of spectral dub, the sound is deliberately immersive, introverted, and yes, definitely implosive. In pursuit of heavy lids, blurred vision, and merciless bass bin punishment, it’s one part meditation, two parts low-end theory, and essentially a confession of devoted sound system addiction.As expected from a tag team featuring British soundlab explorer and 'London Zoo' composer Kevin Martin, aka The Bug, and Michael Fiedler, aka Jah Schulz—a long-time graduate of Germany's new school of sound system reggae culture—the duo approaches their target differently yet share the goal of keeping their sound "raw" (Fiedler) and "brutally minimal" (Martin). This proves that opposites can attract, even if their tools are different and their methods sometimes diverge.
Pressure
12" | CD | LP
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Daniel Avery
TREMOR
On Tremor, Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels(Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved. An immersive and deeply textured journey, Tremor unfolds like a lucid dream—an expansive, collaborative creation.
Domino
CD | LP
Grischa Lichtenberger
Live At Fondazione Museo Pino Pascali
An abstract painting with expressionist hues and futurist echoes, a mix between action painting and informal art: this is the first impression from Grischa Lichtenberger's live performance recorded at the Pino Pascali Museum in Polignano a Mare. The artist, based in Berlin, makes the rhythms creak, cuts them with a laser, weaves imaginative harmonic coils, smoothes with electric razors and draws figures with echoes and industrial clangs.Then he uses ferrous materials that, with a precision lathe, are abraded and cause sparks. Suddenly steel springs fall to the ground, generating a cascade effect. In the distance, you can hear the roar of speeding cars and the ringing of bells.Lichtenberger pulps, compresses, dilates, mixes, electrifies, heats up, liquefies: he does all this in just less than forty minutes, treating the sound material with violence, transforming it from time to time, shaping it and succeeding in the arduous task of controlling its effects. It is as if Luigi Russolo, Alva Noto and Thomas Brinkmann were closed in a workshop on the edge of a highway, parodying the famous definition of techno.
Hermit Records
12"
Pre-Order
Global Communication
76:14:00
Aged to perfection at 31 years young, 76:14:00 is described as “unfathomably beautiful out-of-time masterpiece“ in The Guardian’s ‘1,000 Albums to Hear Before You Die’ list. Certainly, on release it was clear that it was something special, and not just because it was named after its total running time (though in fact it is shorter) and each track is also titled after its respective length. Tom Middleton and Mark Pritchard, the duo behind Global Communication and other aliases, stated in the sleeve notes that this was intended to avoid the implication that there was any specific meaning or subject mater to their compositions, leaving the listener free to interpret it according to their own imagination. And as the record is a certified classic of 1990s ambient and electronic experimentalism (clearly influenced by greats like Vangelis and Brian Eno), sweetly melodic, soothing and largely beatless, it is almost impossible to listen to it without eliciting extreme relaxation and flights of mental fancy. As the Guardian put it, it’s a great example of a musical timeline that ran parallel to Britpop, “where Orbital, not Oasis, were the most important band at Glastonbury and a couple of chaps in thrall to Detroit techno, made an album while looking out over a field of cows in Somerset.”
Sony
LP
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