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Boards Of Canada The Campfire Headphase Warp Records LP

Baauer Aa LuckyMe CD | LP

Joker The Vision 4AD 12"

Boylan / Logos / Slimzee / U.S.F Orders / The Mould Sentry Records 12"

Obeah / Trim / Rider Shafique This Ting EARTHTRAX 12"

Pinch Reality Tunnels On June 26th the influential Bristol figurehead Rob Ellis AKA Pinch will release his first solo album 13 years, via his own label, Tectonic. ‘Reality Tunnels’ is a concept that was originally introduced by Robert Anton Wilson in his 1983 book ‘Prometheus Rising’. In essence, the concept of a reality tunnel relates to an idea on how we create our own perspective – the subjective filter that we each apply to the world around us; the things we perceive and what our consciousness deems worthy of attention, IE what we see and hear is entirely relative to what we do not. At points angular and uncompromising with levels in the red, frequencies pushed out and EQ curves stretched into strange new shapes, Pinch mixes both low and hi fi on this boldly distinct sonic statement. It sees him flexing years of production skills – but unconventionally so – knowing well that safe predictability and rounded polish don’t get the most interesting results. Dark trip hop Bristolia segues into blistering jungle on album opener ‘Entangled Particles’, before planet-hopping onto the spiky insidious grimestep of ‘All Man Got’, featuring the rugged rasp of OG warhorse Trim. Beginning a triptych of future techno, ‘Accelerated Culture’ offers the album’s most relatively straightforward moment, albeit one of scorching, anthemic dancefloor heat. Delving deeper into the vortex is the synapse sparking wobbler ‘Returnity’, before ‘Finding Space’ reaches to the cosmos’ far-flung, glowing outlands. Back to an urban reality is ‘Party’, where a subtly menacing sense of dread is ignited by Killa P’s incremental flow, which ramps-up and pairs-back the intensity in unexpected ways. Still moving freely between different realities, ‘Back To Beyond’ is beautiful gloaming ambience, executed with equal fine-tuned grace as the genre’s masters. Jamaican vocalist Inezi lends sweet tones to the slow burning, roots-meets-modern-bass spiritual ‘Change Is A Must’, and on ‘Non-Terrestrial Forms’ an atmospheric, misty steppers intro segues stealthily into fiercely dystopian, amen- fuelled jungle tekno; marking one of several surprise attacks on the album, where a subtle-slight-of hand shoots the intensity level dynamically up.Closing as it begins, the album is bookended by a piece that recalls the dark, intricate soundscapes of Massive Attack’s ‘Mezzanine’ and Tricky’s ‘Maxinquaye’ – found here in ‘The Last One’s scorched, smoky rocker. Hit the vinyl double pack for an exclusive and quite unique sounding 120bpm glitchy techno roller featuring man like Trim once again and live cello recordings. Tectonic Recordings CD | LP

The Gaslamp Killer Breakthrough Breakthrough is the debut full-length album from the Gaslamp Killer, a manic and mystic trip through the mind of a madman. Resident DJ and co-founder of the mythic Low End Theory club night in Los Angeles, the Gaslamp Killer is known across the globe for his impeccable turntable skills and high-energy performances. He delivers the same fire to Breakthrough, a project pulled from within his soul that is his strongest musical statement yet. Overcast with ominous tones, loose drums and contorted sounds, Breakthrough is much more than a collection of beats; it is a musical project that reflects the culmination of almost a decade’s worth touring and performing around the world. Laying his hands on production and live drums, the Gaslamp Killer brings together a potent cast of friends to contribute to the album. Brainfeeder CD | LP

Luke Vibert Luke Vibert presents... Rave Hop The third, and final part, of Luke Vibert’s entertaining and infectious cavort through some of dance music’s key motifs, delivers a singular collection of tracks that the creator defines as Rave Hop. ‘Luke Vibert presents Rave Hop’ finds the British producer and musical trail blazer kick back on a bunch of lazy hip hop breaks and breezy samples. Soulful vocals, suave raps and buoyant riffs are expertly infused with dope as fuck beats and booming basslines. ‘Rave Hop’ concludes Vibert’s trilogy of albums for Hypercolour that has gifted us absorbing musical dispatches from the breakbeat and rave frontlines. With an enviable recording career that has taken in countless projects for labels like Ninja Tune, Warp, Planet Mu and Rephlex, Luke Vibert still holds the crown for king of the beats. Hypercolour LP

Luke Vibert Luke Vibert presents... Modern Rave Part two in his trilogy of what seems like an aural romp through dance music’s key components, Luke Vibert follows up his ode to the ‘Amen break’ on the sumptuous ‘Luke Vibert presents Amen Andrews’, with a pretty damn thorough modelling of rave roots, in ‘Luke Vibert presents Modern Rave’. When it comes to bashing out creative, highly complex, yet seemingly simplistic rave bangers, Luke Vibert certainly has the chops for delivering the goods in spades. As an innovator in the field for labels like Ninja Tune, Warp and Rephlex, Vibert digs deep into his floppy disc collection for a glorious ride through familiar samples and hooks, breakbeats and funky basslines and earworm melodies for an indispensable collection of feel good modern rave. Hypercolour LP

Luke Vibert Luke Vibert presents... Amen Andrews You know we are in for a treat when Luke Vibert, exponent of electronic beats and breaks since the dawn of rave, delivers not one, not two, but three new album projects, each with a specific musical theme and thread. A set of three long players, collect them all like bubble gum stickers and annoy your neighbours by playing at high volume! Vibert’s previous album projects for Hypercolour, both as Kerrier District, and under his own name, have always excelled, not to mention his groundbreaking and brain scrambling long players for Warp, Rephlex, Rising High Records, Planet Mu and Ninja Tune. Vibert revives his Amen Andrews moniker after over a decade lying dormant. Squarely aiming the sound at the ‘Amen break’, ‘Luke Vibert presents Amen Andrews’ brings together 14 slabs of raucous breakbeat bangers, riddled with cool as fuck samples and bass bin shattering sub! Hypercolour LP

unknown The Woods / Stumble Are You Gunna Hold It Down? 12"

Bakongo Bopster / Anytime Following up from 2019’s Livity Sound release ‘Goulbap/Momoweb/Disposition’, which seemed to catapult Bakongo into a different scenery and introduce Wayne to old friends and long time support of his older tribal material along the way as well as surprising those who had no idea both monikers were the same person. Slotting into a scene of Tribal sonics and a Techno atmosphere it almost seems as a new genre if we pigeon holed ourselves into specific categories as if it was 2010 again, but digging into Roska/ Bakongo’s early material, tracks like Roska’s remix of Four Tet’s Love Cry and Untold - Just For You, you can hear early examples of sounds that were explored and tested as early as 2009. Mixing the two sounds of Roska’s heavily stripped back style and Bakongo’s tribal and percussive madness enhances and uplifts what a generation have been complimenting the last 10 years. Moving forward to this release ‘Bopster / Anytime’ you see exactly where Bakongo is going and the direction where his sound is suited. RKS 12"

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