Du Blonde Lung Bread For Daddy Du Blonde may sound like a band, but in fact it is, and always has been, the work of just one person. Beth Jeans Houghton. Her new album Lung Bread For Daddy delves even deeper into self sufficiency, seeing Beth take the reigns on production, instrumentation, album artwork and direction of music videos. This project is entirely her own. “I know exactly what I want my record to sound like and apart from drums, I have the ability to play all the instruments, so I did” Houghton states. Houghton's insatiable thirst for creation on her own terms has seen her take charge of every aspect of Lung Bread For Daddy including the brutal self portrait that adorns the cover of this record. Painted from a photograph taken during one of her lowest points, the image depicts Beth devoid not only of makeup, but self worth and confidence. “I look tired and pretty much destroyed, which is a feeling I’ve known many times over; in the aftermath of relationships and that of making a record. Lyrically the album is very naked so I’m carrying on the nudity of my previous album covers, only this time it’s emotional instead of physical.” Moshi Moshi CD | LP
Summer Camp Bad Love [7"] 7" for the excellent title track from Summer Camp's forthcoming album! Summery synth-pop goodness and includes an exclusive B side! Moshi Moshi Pre-Order
Girl Ray The Way We Came Back The song is notable for being written by Poppy Hankin when she was just sixteen years old, yet had never been recorded until after the release of the North London group's debut album Earl Grey. "It's cute, I guess," says Sophie Moss. "You kinda wanna skip to it, you know? Makes you think about arguments but it doesn't make you hate them that much. It's an early, early - we're talking pre-Earl Grey here - banger that we wanted to oil up. A plump cow that needed to be milked. It was one of the first songs Poppy wrote when she was 16 which we all found pretty impressive. Sly arrangement, good vibes here." The Limited 7" comes backed with a demo version of I Know It’s Kind Of Hard. Moshi Moshi 7"
Benin City Last Night Clubbing is a source of euphoria: a weekly, often daily escape, a respite from the grind. That culture and its landmarks – some of London’s best venues and many countless pubs - are slowly disappearing for good. On the band’s record, due for release next year, Benin City will be taking an album-long look at the dual nature of London’s nightlife. With a sound and mood that locates itself in a small sweet spot between Faithless, Metronomy and early Stromae, the album’s narrators draw on the last decade of their collective experiences as ravers, bar workers and observers. These reflections are primed for the dancefloor: a hook-laden blend of Afro-dance pop, hip-hop, spoken word and electronica that is both infectious and poignant. Moshi Moshi CD | LP
Teleman FUNF The new EP from art-poppers Teleman, following on from their acclaimed album Brilliant Sanity with crisp and punchy jams with lots of synthy and psychedelic feels. “It was kind of tricky cos just as we were settling into the process it was time to up and off to another studio to meet the next guy. But mostly it was a great experience, we all enjoyed it a lot. The producers we worked with came mostly from dance backgrounds and some had never recorded a band before, so we were all pushed out of our comfort zones a bit which was great. All said and done, it still sounds like Teleman but each song has a different flavour which is what we were hoping for”. MOSHI MOSHI 12"