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Diiv
Oshin (10th Anniversary)
On June 26 2012, DIIV released their seminal debut record, Oshin . The album received critical acclaim from Pitchfork granting it “Best New Mu - sic,” NME ranked it in the Top 10 among its “Albums of the Year,” and it positioned DIIV as a central influence on the sound and aesthetic of the 2010s Brooklyn indie music scene.
Beginning in 2011 as the nom-de-plume of Z. Cole Smith, musical provo - cateur and frontman of the atmospheric and autumnally- charged four- piece, DIIV created instant vibrations in the blog-world with their im - pressionistic debut single “Sometime.” DIIV craft a sound that is at once familial and frost-bitten. Indebted to classic kraut, dreamy Creation- records psychedelia, and the primitive- crunch of late-80s Seattle, the band walk a divisive yet perfectly fused patch of classic-underground influence on their debut LP.
To commemorate the 10th anniversary, this limited edition 2xLP com - bines the Oshin tracklist with the original Oshin demos recorded by Smith, and two live cuts recorded at storied Brooklyn DIY venue Shea Stadium - including the never before released “Yuk”.
The expansive packaging includes a craft paper die-cut widespine housed in a clear printed PVC sleeve, vinyl pressed on blue marble (to commemorate the very first limited edition pressing of Oshin on Cap - tured Tracks), a DIIV “Fuck The World” poster, and a retrospective booklet with archival photos, reflections from each bandmember, new writing from the original “Oshin” poet, Madeline Jones, and exanded liners by Shaad D’Souza.
Captured Tracks
LP
The Lemon Twigs
Look For Your Mind!
The Lemon Twigs’ two previous Captured Tracks albums, A Dream Is All We Know (2024) and Everything Harmony (2023), certainly indicated something of a ground zero in their then five album career. “It was the beginning of making records that we would listen to ourselves,” says Michael D’Addario, the younger Twig brother, now aged 26. By the time of A Dream Is All We Know and the future Michael classic “My Golden Years”, The Lemon Twigs’ new era had truly begun. And now comes the third Lemon Twigs album for Captured Tracks, Look For Your Mind!, which underneath its poppy exterior contains an undercurrent of paranoia and suspicion. Opening with title track “Look For Your Mind”, a jangly Michael number, the listener is introduced to the guitar-driven harmony sound that is the centering theme of the album. Much of what was achieved on A Dream Is All We Know is here, just more laser focused. It’s classic Twigs, indebted to the golden age of guitar pop, but in no way slavish. New to this album is the inclusion of live Twigs Reza Matin (drums) and Danny Ayala (bass), as well as Eva Chambers of Tchotchke, to the rhythm section. With the brothers previously having handled everything in the studio themselves, this shows a new-found sense of freedom. “Gather Round” is one of Look For Your Mind!’s bigger productions. A Brian song with joyous orchestrations, it feels like a turn of the century campaign song. The writer is looking for an uncorrupted leader, but resolves that collective action is the only way forward. Musically it’s ornate and delightfully 1967, but the mood and sentiment is distinctly 2026. “Every time we try to write something that’s completely straightforward, we can’t help adding an element which comes out of left field.” explains Brian. Brian’s “Fire And Gold” starts off with a ringing power pop riff before turning everything inside out. It’s also the first song on the album to feature the powerhouse drummer Reza Matin, whom the brothers favorably compare to Big Star’s Jody Stephens, The Raspberries’ Jim Bonfanti, and The Move’s Bev Bevan. Closing side one on the vinyl record is Michael’s beautiful ballad, “Mean To Me”, with vocals The Beach Boys would be happy to have committed to wax 60 years ago, care of Michael, Brian and Danny. The closer of the second side, “Your True Enemy”, completely throws a spanner in the works. “We at first approached the song as a simple rock arrangement, but it didn’t fit the moodiness of the lyric,” states Brian. “So that’s when we started to get more experimental.”The Lemon Twigs sixth studio album may at first seem like a direct continuation of the previous two, but it is also a lot more, with nods to the earlier records, a new found collective spirit, and most importantly great songwriting.
Captured Tracks
CD | LP
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