Hot Chip A Bath Full of Ecstasy Limited LP is on 'crystal clear' vinyl and is packaged in a limited edition black & white sleeve. Regular LP is on black vinyl and packaged in the standard full colour sleeve. The new full length album from the acclaimed Hot Chip. A Bath Full of Ecstasy is a fresh, invigorating and essential new chapter in Hot Chip's career, taking in their huge breadth of influence and melody as only Hot Chip can. This is the first time the band have chosen to use outside producers from the offset, working with Philippe Zdar (Cat Power, Beastie Boys, Phoenix, Cassius) and Rodaidh McDonald (The XX, Sampha, David Byrne), and there is a marked dynamism in Zdar’s mixing that brings out the boldness of the songs collected here. The record is a celebration of joy but recognises the struggle it can take to get to that point of happiness. You can hear the pleasure Hot Chip had in creating this album and they want to pass on that feeling to the listener. It is time to get lost in A Bath Full of Ecstasy. Domino CD | LP
Stefan Bachmeier Anomaly On Meadow Lane [CSD17] This is a Cassette Store Day 17 release, only available in the shop from the 14th October 2017. If any stock remains after week one then it will be available online from the 21st October. Click the Notify me button so we can keep you up to date. Anomaly On Meadow Lane is the first ever release (on any format) of an electronic concept album by mysterious German author & composer Stefan Bachmeier. This scintillatingly synth-laden cassette, produced from the original dusty master tapes, has been curated and re-mastered by Stephen Buckley (Polypores). Spun Out Of Control
LCD Soundsystem American Dream Reunited and back in full force, iconic disco-rock outfit LCD Soundsystem bring their fourth full length and the first in 7 years, following on from This Is Happening. Bringing back their unique blend of disco-rock combined with dancey, post-punk vibes. CD | LP
Aupheus Megalith The new full length album from UK-based electronic/hip-hop beatsmith AUPHEUS, combining sweeping sci-fi soundtrack sounds with raw hip-hop and featuring some special Strange Famous friends, who come along for the ride! Megalith is a compelling collision of disparate influences and technologies melded to form an unconventional sonic tapestry: “The album was heavily inspired by my favourite science fiction films of the 1980s and early 1990s and their soundtracks, along with the hip hop that I grew up listening to, and the writing of Philip K. Dick,” says Aupheus. It’s an ambitious mix of ambient sounds and doom-bap grit. “I used a range of digital and analog gear to achieve the sound I wanted, including vintage samplers, running things onto tape, using the turntables and various musical instruments in conventional and unconventional ways.” Megalith exists in the exciting overlap between the worlds of beat-making, composing, and sound design; a fusion of Electronic Sci-Fi and golden-era Hip Hop. Strange Famous CD
Andrew Weatherall Blue Bullet EP Almost exactly a year after his first EP on Byrd Out (the Kiyadub EP), the legendary Andrew Weatherall returns with new material for a second release. Andrew invited a mate round to his studio to try out a Les Paul his friend was looking to buy. As it turns out, his mate was Ride's (and Oasis') guitarist Andy Bell. Anyway, Andrew suggested he test the guitar out over a track he was working on, and ‘Making Friends With The Invader’ is the resulting track, which Andrew paired with the EP’s title track ‘Blue Bullet’. Both tracks plough the trippy, cosmic dub furrow, and come in at a weighty 8 and 9 minutes plus. 1000 vinyl only. Grab them while you can! Mastered by Noel Summerville. Artwork by G.S-L Studio Byrd Out 12"
Sunset Graves The Inevitable End Sunset Graves on ‘The Inevitable End’: “I had this thought: would it be possible to create an album using a really small palette of sound? I don’t choose when to write a record, it chooses me. And when I felt this one coming on, I knew that it needed to be nothing like any of my previous work. Things had changed, and my music needed to reflect that. So I started to layout my tools: synths, drums, samples and field recordings. The only rule was that I would use these, and only these, but I could process and add effects to them in any way I chose. I wanted to find detail by smashing drum elements into grains and coercing them back into shapes and patterns. I wanted to create texture by applying filters and stacks of EQ and reverb to synths. I wanted to give the album depth and life by recording sounds of the environment around me. The first drums you hear on ‘Lovr’ are an iPhone recording of me tapping the steel girder of a railway bridge. The road that never sleeps outside my home is the bed on which ‘Solace’ lies. By processing, stretching, crushing and pushing, finding elements and artifacts and using them as new starting points, an eco system of sound began to form, and the album exists within that. However, I also wanted the album to have a heart and resonate emotionally. And I wanted it to sound huge.” Spun Out Of Control Out of Stock