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The Script
Tuesday 26th November at Pryzm, 6:00pm (Early show)
Any "posted" tickets from this point (Fri 22nd Nov, 4pm) are for collection at the venue. Please bring your order number with you
Following the release of new album Sunsets & Full Moons, The Script visit Kingston to play at Pryzm.
Sunsets and Full Moons features a good mix of empowering songs with tracks like Underdog and If You Don’t Love Yourself, and then their songs that talk of lost love, as nobody writes songs about heartbreak and loss like The Script can. The Hurt Game and Hot Summer Nights are the examples on this album. The album takes the listener on a journey, through love, hope, joy, despair, heart attack, it’s a complete circle of emotions.
Pryzm is all ages for this show - under 14s must be accompanied by a ticket-holding adult (18+). Over 18s should bring PHOTO ID (driving license / passport).
Times TBC but we expect Doors at 6:00pm with The Script on stage at 7:00pm for about 45 minutes.
CD/ticket is £20 post-paid, and other formats and combos will be available.
Pryzm, 154 Clarence Street, Kingston Upon Thames (KT1 1QP)
PLEASE NOTE: If you choose Collect In-store as your delivery option your full order will need to be collected from our shop rather than from the venue.
CD | LP
Past Event
NEW RIDERS OF THE PURPLE SAGE
Thanksgiving In New York City [Black Friday 19]
Limited Black Friday release available in store from Friday 29th November. Any remaining stock will be available online from Saturday 30th November at 7:00am. Strictly 1 per customer.
Recorded live to 2 track tape at New York City’s Academy of Music. Previously unissued performance featuring Buddy Cage on pedal steel guitar with guest guitarist David Rea (Gordon Lightfoot, Fariport Convention). Taken directly off the master reels in the NRPS Archive and mastered by David Glasser at Airshow Mastering. Liner notes by NRPS Historian Rob Bleetstein with rare photos. The New Riders of The Purple Sage were regarded as America’s favorite psychedelic cowboy band in the early 1970s. What had started as a chance for the Grateful Dead’s Jerry Garcia to learn pedal steel guitar as he accompanied singer John “Marmaduke” Dawson and his unique songbook of classic Americana tunes, had become its own entity by 1972. With the addition of Buddy Cage on pedal steel to replace Garcia, 1972 saw two studio releases in the forms of Powerglide and Gypsy Cowboy. Emerging from the shadow of the Grateful Dead after opening countless shows for them, not only where the New Riders becoming a bona fide live act to contend with, but their performances were earning them a loyal and rabid following on the East Coast, especially in the New York Tri-State area. Captured at the late show from November 23, 1972, at the Academy of Music, Thanksgiving In New York City features the band in the midst of an energetic and highly regarded tour. Along with Dawson classics like Henry, Portland Woman, and Last Lonely Eagle, lead guitarist David Nelson and bassist Dave Torbert also bring some Bluegrass (She’s No Angel) and R&B (I Don’t Need No Doctor, Willie And The Hand Jive) to the mix. An evening with New Riders of the Purple Sage in downtown Manhattan offered music fans a musical panorama that continually upped the ante of the potential of country meets rock with a psychedelic twist. This concert from 1972 began what would be an annual engagement over the Thanksgiving holiday in New York City for the following three years. It was a family vibe of a whole other nature when the New Riders came to town. Crank it up and enjoy the musical feast that is Thanksgiving In New York City!
Side A: 1. Leaving On Her Mind 2. Portland Woman 3. Hello Mary Lou 4. Sutter's Mill 5. She's No Angel
Side B: 1. Henry 2. Contract 3. Linda 4. Take A Letter Maria
Side C: 1. I Don't Know You 2. All I Ever Wanted 3. Groupie 4. Whiskey
Side D: 1. Long Black Veil 2. Lochinvar 3. Truck Drivin' Man 4. Rainbow
Side E: 1. I Don't Need No Doctor 2. Louisiana Lady 3. Honky Tonk Women
Side F: 1. Last Lonely Eagle 2. Willie And The Hand Jive
CD | LP
Out of Stock
Geddy Lee
MY FAVOURITE HEADACHE [Black Friday 19]
Limited Black Friday release available in store from Friday 29th November. Any remaining stock will be available online from Saturday 30th November at 7:00am. Strictly 1 per customer.
Solo album from RUSH member Geddy Lee, first time on vinyl. Tracklisting: 1 My Favourite Headache (4:44), 2 The Present Tense (3:25), 3 Windows To The World (3:01), 4 Working At Perfekt (4:59), 5 Runaway Train (4:31), 6 The Angels' Share (4:35), 7 Moving To Bohemia (4:26), 8 Home On The Strange (3:47), 9 Slipping (5:06), 10 Still (4:29), 11 Grace To Grace (4:58). Plus two previously unissued instrumental versions of: My favourite Headaches and Home On The Strange.
LP
Out of Stock
Showbiz & AG
Full Scale [Black Friday 19]
Limited Black Friday release available in store from Friday 29th November. Any remaining stock will be available online from Saturday 30th November at 7:00am. Strictly 1 per customer.
Diggin In The Crates (D.I.T.C.) was born out of a group of artists who began making noise in the late ‘80s and into the next decade and beyond - namely Lord Finesse, Diamond D, and Fat Joe. After well-received albums, an official, wider collective was founded that also included O.C., Big L, Buckwild, and producer-rapper combo, Show and A.G. (originally known as Showbiz and A.G.). The crew proceeded to drop a run of sublime records, including Show and A.G.’s Soul Clap EP (1992), their full-length debut Runaway Slave (1992), followed by Goodfellas in 1995. Show and A.G.’s next project, Full Scale, arrived in 1998 and featured appearances from O.C., KRS-One, Big Pun, the Ghetto Dwellas and verses from members of D.I.T.C. including Diamond D, Big L and Lord Finesse. In 2002 a CD version titled Full Scale LP (using the same artwork) was released with 10 additional tracks which had originally been released on various 12" singles and projects in the late 1990s. The project had never been released on vinyl in its entirety – until now. Production on Full Scale was handled by Showbiz and A.G. except for Time To Get This Money which was produced by long-time collaborator Ahmed, and Hold Mines and Hidden Crates which were produced by DJ Greyboy. The assortment of guest features doesn’t detract from A.G., a masterful emcee with a no-nonsense style that is simple but impactful. Full Scale follows the tried and true blueprint from Show and AG’s earlier classics cementing its place in hip hop history.
D.I.T.C. Studios
CD | LP
Out of Stock
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