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Travis
The Invisible Band (20th Anniversary)
Indies + D2C exclusive LP is on 'forest green' coloured vinyl.
The deluxe limited-edition boxset includes the original album remastered by GRAMMY® Award-winning engineer Emily Lazar, B-sides and a selection of unreleased demos, live sessions & alternate takes across 2-CDs & 2-180-gram heavyweight clear vinyl LPs. A photo book including unseen session photos, notes from the band & producer Nigel Godrich all housed together in a lift-off lid box.
The Man Who’s success may have seemed impossible to build upon, but when it came to crafting a follow-up, Travis’ natural composure became their greatest asset. Returning to the studio with The Man Who’s co-producer Nigel Godrich (Radiohead, Beck, Paul McCartney) they crafted a near-perfect 45-minute album praised by Q magazine for having some of “the best and most fully crafted” songs of their career to date. Lead single ‘Sing’ remains their highest-charting single in the UK (No.3), while its follow-ups, ‘Side’ and ‘Flowers In The Window’, saw the band consolidate their indie-pop formula, helping The Invisible Band to match its predecessor’s No.1 position in the UK, while taking Travis into the US Top 40 & Top 10 in Germany, Australia, Austria, Belgium, Denmark, Canada, New Zealand, Switzerland, Sweden, France, Italy & Norway.
To celebrate the 20th Anniversary of the multi-platinum 2001 album, multi-format Deluxe formats are coming this November.
Concord
CD | LP
Travis
The Boy With No Name
On May 28th, the top five album from Scottish rock band Travis, The Boy With No Name, returns to vinyl for the first time. Cut at London’s Metropolis Studios, Craft Recordings’ new reissue of the bands fifth studio album comes housed in a gatefold sleeve and features a bonus 7” single. In 2007, ten years after the release of their debut album Good Feeling, much had changed for Travis’ Fran Healy (vocals, guitar), Andy Dunlop (guitar), Dougie Payne (bass), and Neil Primrose (drums) – and yet, much remained the same. With Healy now a father (The Boy With No Name takes its title from a nickname briefly given to his son),his songwriting on The Boy With No Name turned to the world of relationships, with singles “Closer” (which marked the bands return to the Top 10 on the UK singles chart) and “My Eyes” focusing on his newborn son. Featuring production work from Nigel Godrich (Radiohead, Beck, Paul McCartney) and pioneering artist Brian Eno, the album was praised by the BBC as the band’s “most eclectic album to date,” and the work of a band who “can afford to take risks,” while receiving four stars from Q magazine.
UMC
7" | LP
Travis
10 Songs
Deluxe LP is on red & blue coloured vinyl and includes demo versions of the tracklisting.
At various points along the trajectory between then and now, Travis have sold millions of albums (just under three million of The Man Who in the UK alone); they’ve been the subject of an award-winning feature length documentary (Almost Fashionable) and Fran has elicited acclaim from Paul McCartney, Elton John and Graham Nash – all songwriters whose ability to divine a timeless melody out of thin air has sustained them through the decades.
’10 Songs’ is an album that holds you in its own emotional microclimate at the outset and keeps you there. It’s also a grown-up record. ’10 Songs’ is a record about the way life comes at love and what love does to weather those challenges. “This is no rehearsal/This is the take,” sings Fran at the beginning of Waving At The Window, over an insistent piano hook, “Promises you once kept/Are going to break
Every track on this album carries an even load. No passengers here. Nowhere to hide. “I write songs in an antiquated way,” explains their creator, “Sitting at the bottom of the bed, ‘pouring my simple sorrow to the sound hole and my knee’, as Joni Mitchell put it.” As a songwriter based in L.A., Fran Healy doesn’t need anyone to tell him this is no longer how it’s done. It’s far from uncommon for the credits on successful modern pop songs to feature upwards of ten writers. Hits by committee. “It’s fine,” notes Fran, “Personally though, I’ll take ten songs written by one person over one song written by ten people. And if I feel that way, then surely someone else must do too.”
BMG
CD | LP
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