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Kid Kapichi
Thursday 15th January
at Kingston College, 7:30pm (14+)
Admission will be via e-ticket. Your e-ticket will be delivered to your email address in time for the show (typically the day before the event).Kid Kapichi return to Kingston to celebrate the release of the new album 'Fearless Nature'.Anybody familiar with the teeth-gnashing, blood-dripping punk snarl of Kid Kapichi knows about their ‘Fearless Nature’, so it should, at first glance, come as no surprise that the Hasting band’s fourth album should take that title.The first track to be released, ‘Stainless Steel’, frontman Jack Wilson describes as the bridge from the old Kid Kapichi to the new, and in its lethal, taut, muscular efficiency it certainly bears the hallmarks of the band’s classic sound, but the maturity of its point of view and the courage in its vulnerability is something new. You hear it throughout ‘Fearless Nature’, an album riven with moments of self-doubt made by a band that has grown bold enough to show the bullet holes in their armour after years on the frontline.‘Fearless Nature’ is also a bridge to a new Kid Kapichi in a more literal sense. In May 2025, guitarist Ben Beetham and drummer George Macdonald announced they were leaving the band, a decision they had made internally some six months earlier. The choice was made amicably, and ‘Fearless Nature’ stands at the intersection of the two generations; the songs were written, recorded and produced with the old line-up (co-produced by Beetham alongside Mike Horner), but are now set to be taken on the road with the new makeup of the band.Guitarist Lee Martin and drummer Miles Gill are both longtime friends of Wilson and bassist Eddie Lewis and veterans of countless hard-playing bands on the live circuit in the South of England.The band’s political message may be undimmed, but with ‘Fearless Nature’ expanding their repertoire, it now has company. Their decision to allow an emotional complexity into their lyrical perspective is a major step forward, and the benefits are there for all to draw strength from.-Times TBC but we expect doors at 7:30pm with a stage time of 8:30pmEveryone attending needs their own ticket. Those aged 14+ can attend unaccompanied. 8 to 13 year olds must be accompanied by a ticket-holding adult (18+). No under 8s, sorry.ACT at Kingston College, Kingston Hall Rd, Kingston upon Thames KT1 2AQ.It's a great medium-sized venue right in the centre of town with excellent lighting and sound - follow the signs on arrival at the main reception area of the college.
CD | LP
Past Event
Kid Kapichi
Sunday 17th March
at The Fighting Cocks, 7:30pm (18+)
Admission will be via e-ticket. Your e-ticket will be delivered to your email address in time for the show (typically the day before the event). To celebrate the release of the new album 'There Goes The Neighbourhood', Kid Kapichi return to Kingston to play at The Fighting Cocks.Produced by Dom Craik from UK chart-toppers Nothing But Thieves, ‘There Goes The Neighbourhood’ is the third studio album from Kid Kapichi, their second for Spinefarm.The album features eleven signature tracks about misspent youth and nights out in small towns, songs you can protest or party to in equal measure. Like movie director Guy Ritchie, a global force who remains true to his Brit roots, the Hastings quartet are determined to hold tight to their homegrown values and beliefs, and to take their songs of working-class pride to the broadest possible audience. Says frontman Jack Wilson about lead single ‘Let’s Get To Work’, “It’s a motivational song about getting a job done yourself,“ an important sentiment when support networks are eroding; it’s classic Kapichi, music and message combining to powerful effect, setting the mood for an album where the snarling, razor-sharp lyrics are generally balanced out by a cheeky wink of the eye and the turn of a Crombie-d collar. On ‘Zombie Nation’, a track featuring the unmistakable tones of Madness legend Suggs, a longstanding Kapichi hero, the band spotlight social and political apathy in the face of dark times, and their collective stance against grey Britain and small-island thinking is one that runs throughout the record, in particular ‘Can EU Hear Me?’, a three-minute, Brexit-bemoaning blast of spirited punk. Closing track, Jimi, an acoustic ode to a fallen friend, adds a different flavour, but generally Kid Kapichi are more raised fist than velvet glove. They’re not a band–actually, make that gang–you’d feel comfortable meeting in a dark alley, but at least you’d see their white socks coming!-Times TBC but we expect doors at 7:30pm with a stage time of 8:30pm The Fighting Cocks is an 18+ venue. Please bring photo ID.The Fighting Cocks is at 56 Old London Road, Kingston, KT2 6QA
CD | LP
Past Event
Kid Kapichi
There Goes The Neighbourhood [Personally Signed]
For a limited time, you can pick up a personally signed copy of the album! Please put the message you'd like written on your album in the comments section at checkout. There is a character limit on the length of the message you can request. The message will cut off when the limit is reached. It's not possible to extend messages beyond the character limit.Artists are not robots. They won't be writing anything they don't want to, so make the message you request sensible.PLEASE NOTE it may not be possible to amend your message after your order has been placed.If you don't want personalisation on your signed album, please state that in the comments box.Artists, and our staff, take a lot of time and care over personalised items, but we cannot make guarantees on spelling, legibility of handwriting, colour of pen, position of signature.-Produced by Dom Craik from UK chart-toppers Nothing But Thieves, ‘There Goes The Neighbourhood’ is the third studio album from Kid Kapichi, their second for Spinefarm.The album features eleven signature tracks about misspent youth and nights out in small towns, songs you can protest or party to in equal measure. Like movie director Guy Ritchie, a global force who remains true to his Brit roots, the Hastings quartet are determined to hold tight to their homegrown values and beliefs, and to take their songs of working-class pride to the broadest possible audience. Says frontman Jack Wilson about lead single ‘Let’s Get To Work’, “It’s a motivational song about getting a job done yourself,“ an important sentiment when support networks are eroding; it’s classic Kapichi, music and message combining to powerful effect, setting the mood for an album where the snarling, razor-sharp lyrics are generally balanced out by a cheeky wink of the eye and the turn of a Crombie-d collar. On ‘Zombie Nation’, a track featuring the unmistakable tones of Madness legend Suggs, a longstanding Kapichi hero, the band spotlight social and political apathy in the face of dark times, and their collective stance against grey Britain and small-island thinking is one that runs throughout the record, in particular ‘Can EU Hear Me?’, a three-minute, Brexit-bemoaning blast of spirited punk. Closing track, Jimi, an acoustic ode to a fallen friend, adds a different flavour, but generally Kid Kapichi are more raised fist than velvet glove. They’re not a band–actually, make that gang–you’d feel comfortable meeting in a dark alley, but at least you’d see their white socks coming!
Spinefarm Records
LP
Out of Stock
